Showing 64–84 of 322 results

  • Hasselblad Filter UV-Sky 67mm

    Hasselblad Filter UV-Sky 67mm

    £74.00

    Absorbs UV radiation and reduces blue haze without affecting colours. Protects the front lens surface. Hasselblad Filter UV-Sky 67mm Absorbs UV radiation and reduces blue haze without affecting colours. Protects the front lens surface.

  • Hasselblad Filter UV-Sky 77mm

    Hasselblad Filter UV-Sky 77mm

    £83.00

    Absorbs UV radiation and reduces blue haze without affecting colours. Protects the front lens surface. Hasselblad Filter UV-Sky 77mm Absorbs UV radiation and reduces blue haze without affecting colours. Protects the front lens surface.

  • Hoya UX II CIR-PL Circular Polarising Filter - 62mm - Open Box

    Hoya UX II CIR-PL Circular Polarising Filter – 62mm – Open Box

    £33.00

    Enhance your photography with the Hoya UX CIR-PL Circular Polarising Filter. This open-box filter, in pristine condition, offers exceptional value and performance. Designed for both amateur and professional photographers, it reduces reflections and glare from non-metallic surfaces like water and glass, delivering vibrant, true-to-life colours and improved contrast. Hoya UX II CIR-PL Circular Polarising Filter – 62mm (Open Box) Enhance your photography with the Hoya UX CIR-PL Circular Polarising Filter. This open-box filter, in pristine condition, offers exceptional value and performance. Designed for both amateur and professional photographers, it reduces reflections and glare from non-metallic surfaces like water and glass, delivering vibrant, true-to-life colours and improved contrast. The Hoya UX CIR-PL filter is constructed with high-quality optical glass, ensuring sharpness and clarity in every shot. Its slim frame minimizes vignetting on wide-angle lenses, making it v

  • Insta360 GO 3 ND Filter Set

    Insta360 GO 3 ND Filter Set

    £47.97

    This Insta360 GO 3 Filter Set has four ND filters including ND8, ND16, ND32 and ND64, these ND filters help you create footage with a cinematic look. Use these filters to capture video footage and images with balanced colours and contrast in any light. These filters reduce the amount of light hitting the sensor, allowing you to use a slower shutter speed while still capturing perfectly exposed images. Insta360 GO 3 ND Filter Set This Insta360 GO 3 Filter Set has four ND filters including ND8, ND16, ND32 and ND64, these ND filters help you create footage with a cinematic look. Use these filters to capture video footage and images with balanced colours and contrast in any light. These filters reduce the amount of light hitting the sensor, allowing you to use a slower shutter speed while still capturing perfectly exposed images. Key Features Made from aluminium and glass Ideal for a slower shutter speed Use in bright light conditions What’s In The

  • Insta360 GO 3S ND Filter Set

    Insta360 GO 3S ND Filter Set

    £59.00

    TheInsta360 GO 3S ND Filter Setallows you to add a cinematic look to your Insta360GO 3S* footage as well as to balance the colour and contrast regardless of the lighting conditions. *Sold separately Insta360 GO 3S ND Filter Set The Insta360 GO 3S ND Filter Set allows you to add a cinematic look to your Insta360 GO 3S* footage as well as to balance the colour and contrast regardless of the lighting conditions. *Sold separately Everything You Need This kit contains the following filters; ND8 – reduces light by 3 f-stops. Perfect for capturing clear images under sunny, cloudy, and bright conditions. ND16 – reduces light by 4 f-stops. Allows for clear capture and sharp images in normal daylight conditions, and effectively eliminates the “jello” effect. ND32 – reduces light by 5 f-stops. Suitable for very bright daylight conditions. Effectively eliminates the “jello” effect and creates a natural motion blur look. ND64 – reduces light by 6 f-stops. Id

  • Kowa TP-95FT Protective Filter for TSN 88/880 Series

    Kowa TP-95FT Protective Filter for TSN 88/880 Series

    £179.00

    TheKowa TP-95FT Protective Filterensures that the pure fluorite crystal objective lenses of the TSN 88/880 series of Kowa scopes and binoculars are protected. The filter also features an oil and water repellent coating. Kowa TP-95FT Protective Filter for TSN 88/880 Series The Kowa TP-95FT Protective Filter ensures that the pure fluorite crystal objective lenses of the TSN 88/880 series of Kowa scopes and binoculars are protected. The filter also features an oil and water repellent coating. Extra Protection The Kowa TP-95FT filter provides extra protection for the Kowa TSN-880 series spotting scopes, Telephoto lens and High Lander binoculars by protecting the pure fluorite crystal objective lenses. Oil and Water Repellent The filter features an oil and water repellent coating so that you can use it in less than ideal weather conditions worry free. Added Insurance The objective lens is the most sensitive and valuable area of a spotting scope and any dam

  • LEE Filters 100 x 150mm Reverse Grad 0.6 Neutral Density Filter

    LEE Filters 100 x 150mm Reverse Grad 0.6 Neutral Density Filter

    £129.00

    The Reverse ND allows exposure to be controlled precisely at the horizon line, where a sunrise or sunset is at its brightest, making it ideal for seascapes in particular. LEE Filters 100 x 150mm Reverse Grad 0.6 Neutral Density Filter As with all of LEE Filters resin graduated filters, the Reverse ND is manufactured by handby the skilled technicians at the companys Andover factory. This level of quality control differentiates the Reverse ND from other similar lters on the market. Most importantly, where many similar filters feature a strong stripe at the horizon line that fades very sharply, the LEE Reverse ND has a much smoother, more gradual transition between the dyed and clear areas of the filter. The result is a far more pleasing and balanced image than can otherwise be achieved. Available in 0.6, 0.9 and 1.2 ND strengths which equates to two, three and four stops respectively, and refers to the density in the middle of

  • LEE Filters 100 x 150mm Reverse Grad 0.9 Neutral Density Filter

    LEE Filters 100 x 150mm Reverse Grad 0.9 Neutral Density Filter

    £129.00

    The Reverse ND allows exposure to be controlled precisely at the horizon line, where a sunrise or sunset is at its brightest, making it ideal for seascapes in particular. LEE Filters 100 x 150mm Reverse Grad 0.9 Neutral Density Filter As with all of LEE Filters resin graduated filters, the Reverse ND is manufactured by handby the skilled technicians at the companys Andover factory. This level of quality control differentiates the Reverse ND from other similar lters on the market. Most importantly, where many similar filters feature a strong stripe at the horizon line that fades very sharply, the LEE Reverse ND has a much smoother, more gradual transition between the dyed and clear areas of the filter. The result is a far more pleasing and balanced image than can otherwise be achieved. Available in 0.6, 0.9 and 1.2 ND strengths which equates to two, three and four stops respectively, and refers to the density in the middle of

  • LEE Filters 100 x 150mm Reverse Grad 1.2 Neutral Density Filter

    LEE Filters 100 x 150mm Reverse Grad 1.2 Neutral Density Filter

    £129.00

    The Reverse ND allows exposure to be controlled precisely at the horizon line, where a sunrise or sunset is at its brightest, making it ideal for seascapes in particular. LEE Filters 100 x 150mm Reverse Grad 1.2 Neutral Density Filter As with all of LEE Filters resin graduated filters, the Reverse ND is manufactured by handby the skilled technicians at the companys Andover factory. This level of quality control differentiates the Reverse ND from other similar lters on the market. Most importantly, where many similar filters feature a strong stripe at the horizon line that fades very sharply, the LEE Reverse ND has a much smoother, more gradual transition between the dyed and clear areas of the filter. The result is a far more pleasing and balanced image than can otherwise be achieved. Available in 0.6, 0.9 and 1.2 ND strengths which equates to two, three and four stops respectively, and refers to the density in the middle of

  • LEE Filters 100mm ProGlass IRND - 10 Stop

    LEE Filters 100mm ProGlass IRND – 10 Stop

    £159.00

    The ProGlass IRND range sets a whole new standard in high quality glass neutral density filters LEE Filters 100mm ProGlass IRND – 10 Stop High-quality neutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant. Two years in the making, the ProGlass IRND range sets a whole new standard in high-quality glass neutral-density filters. Manufactured from 2mm thick optically flat glass, ProGlass IRND filters are remarkably neutral, with virtually no colour shift and extremely accurate stop values. When shooting digitally, light at the infrared and ultraviolet ends of the spectrum can be problematic. The ProGlass IRND range of filters has been designed with this in mind, and is optimised for use with digital cameras, as they absorb more infrared and ultraviolet light than traditional ND filters. The result is a clean, punchier image, with no colour cas

  • LEE Filters 100mm ProGlass IRND - 15 stop

    LEE Filters 100mm ProGlass IRND – 15 stop

    £149.00

    The ProGlass IRND range sets a whole new standard in high quality glass neutral density filters LEE Filters 100mm ProGlass IRND – 15 stop High qualityneutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant. Two years in the making, the ProGlass IRND range sets a whole new standard in high quality glass neutral density filters. Manufactured from 2mm thick optically flat glass, ProGlass IRND filters are remarkably neutral, with virtually no colour shift and extremely accurate stop values. When shooting digitally, light at the infrared and ultraviolet ends of the spectrum can be problematic. The ProGlass IRND range of filters has been designed with this in mind, and are optimised for use with digital cameras, as they absorb more infrared and ultraviolet light than traditional ND filters. The result is a clean, punchier image, with no co

  • LEE Filters 100mm ProGlass IRND - 2 Stop

    LEE Filters 100mm ProGlass IRND – 2 Stop

    £159.00

    The ProGlass IRND range sets a whole new standard in high quality glass neutral density filters LEE Filters 100mm ProGlass IRND – 2 stop High qualityneutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant. Two years in the making, the ProGlass IRND range sets a whole new standard in high quality glass neutral density filters. Manufactured from 2mm thick optically flat glass, ProGlass IRND filters are remarkably neutral, with virtually no colour shift and extremely accurate stop values. When shooting digitally, light at the infrared and ultraviolet ends of the spectrum can be problematic. The ProGlass IRND range of filters has been designed with this in mind, and are optimised for use with digital cameras, as they absorb more infrared and ultraviolet light than traditional ND filters. The result is a clean, punchier image, with no col

  • LEE Filters 100mm ProGlass IRND - 3 Stop

    LEE Filters 100mm ProGlass IRND – 3 Stop

    £159.00

    The ProGlass IRND range sets a whole new standard in high quality glass neutral density filters LEE Filters 100mm ProGlass IRND – 3 stop High qualityneutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant. Two years in the making, the ProGlass IRND range sets a whole new standard in high quality glass neutral density filters. Manufactured from 2mm thick optically flat glass, ProGlass IRND filters are remarkably neutral, with virtually no colour shift and extremely accurate stop values. When shooting digitally, light at the infrared and ultraviolet ends of the spectrum can be problematic. The ProGlass IRND range of filters has been designed with this in mind, and are optimised for use with digital cameras, as they absorb more infrared and ultraviolet light than traditional ND filters. The result is a clean, punchier image, with no col

  • LEE Filters 100mm ProGlass IRND - 4 stop

    LEE Filters 100mm ProGlass IRND – 4 stop

    £159.00

    The ProGlass IRND range sets a whole new standard in high quality glass neutral density filters LEE Filters 100mm ProGlass IRND – 4 stop High qualityneutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant. Two years in the making, the ProGlass IRND range sets a whole new standard in high quality glass neutral density filters. Manufactured from 2mm thick optically flat glass, ProGlass IRND filters are remarkably neutral, with virtually no colour shift and extremely accurate stop values. When shooting digitally, light at the infrared and ultraviolet ends of the spectrum can be problematic. The ProGlass IRND range of filters has been designed with this in mind, and are optimised for use with digital cameras, as they absorb more infrared and ultraviolet light than traditional ND filters. The result is a clean, punchier image, with no col

  • LEE Filters 100mm ProGlass IRND - 6 Stop

    LEE Filters 100mm ProGlass IRND – 6 Stop

    £159.00

    The ProGlass IRND range sets a whole new standard in high quality glass neutral density filters LEE Filters 100mm ProGlass IRND – 6 stop High qualityneutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant. Two years in the making, the ProGlass IRND range sets a whole new standard in high quality glass neutral density filters. Manufactured from 2mm thick optically flat glass, ProGlass IRND filters are remarkably neutral, with virtually no colour shift and extremely accurate stop values. When shooting digitally, light at the infrared and ultraviolet ends of the spectrum can be problematic. The ProGlass IRND range of filters has been designed with this in mind, and are optimised for use with digital cameras, as they absorb more infrared and ultraviolet light than traditional ND filters. The result is a clean, punchier image, with no col

  • LEE Filters 100mm System Lens Adaptor for Olympus M.ZUIKO Digital ED 7-14mm f/2.8 PRO Lens

    LEE Filters 100mm System Lens Adaptor for Olympus M.ZUIKO Digital ED 7-14mm f/2.8 PRO Lens

    £99.00

    ThisLEE Filters 100mm System Lens Adapteris designed to allow a separately available LEE Filters 100mm System filter holder to connect to an Olympus M.ZUIKO Digital ED 7-14mm f/2.8 PRO lens, which then permits the use of 100mm-wide, 2mm-thick filters without vignetting. LEE Filters 100mm System Lens Adapter for Olympus M.ZUIKO Digital ED 7-14mm f/2.8 PRO Lens ThisLEE Filters 100mm System Lens Adapteris designed to allow a separately available LEE Filters 100mm System filter holder to connect to an Olympus M.ZUIKO Digital ED 7-14mm f/2.8 PRO lens, which then permits the use of 100mm-wide, 2mm-thick filters without vignetting. This lens adapter consists of three components, a front ring, a compression ring, and a locking ring. Placement of the lens adapter onto the lens is easily accomplished by sliding the front ring over the built-in hood with the front ring’s integrated lugs positioned away from the lens body. The compression ring can then be slid o

  • LEE Filters 100x100mm Big Stopper 3.0 Neutral Density Filter

    LEE Filters 100x100mm Big Stopper 3.0 Neutral Density Filter

    £89.00

    The Big Stopper is a neutral density filter that reduces the amount of light entering your lens by ten stops. LEE Filters100x100mm Big Stopper 3.0 Neutral Density Filter The Big Stopper is a neutral density filter that reduces the amount of light entering your lens by ten stops. By greatly extending exposure times the Big Stopper has the effect of allowing anything that is moving in your image to become blurred or ghost like, for example clouds, waterfalls, rivers, and the sea. The filter can also be used on cityscapes to blur people or on roads and motorways to blur traffic. Before After- LEE Big Stopper and 0.6 ND Hard Grad

  • LEE Filters 100x100mm Big Stopper 3.0 Neutral Density Filter - Ex Demo

    LEE Filters 100x100mm Big Stopper 3.0 Neutral Density Filter – Ex Demo

    £59.00

    Capture stunning long-exposure shots with the ex-display LEE Filters 100x100mm Big Stopper 3.0 Neutral Density Filter. Perfect for professional photographers and enthusiasts alike, this high-quality ND filter reduces light entering your lens by 10 stops, allowing for breathtaking effects in your landscape and seascape photography. Despite being an ex-display model, it remains in excellent condition and comes with a comprehensive 12-month warranty for your peace of mind. LEE Filters 100x100mm Big Stopper 3.0 Neutral Density Filter – Ex Demo Capture stunning long-exposure shots with the ex-display LEE Filters 100x100mm Big Stopper 3.0 Neutral Density Filter. Perfect for professional photographers and enthusiasts alike, this high-quality ND filter reduces light entering your lens by 10 stops, allowing for breathtaking effects in your landscape and seascape photography. Despite being an ex-display model, it remains in excellent condition and comes with a comprehensive 12-month w

  • LEE Filters 100x100mm Little Stopper 1.8 Neutral Density Filter

    LEE Filters 100x100mm Little Stopper 1.8 Neutral Density Filter

    £89.00

    The Little Stopper is a neutral density filter that reduces the light entering your lens by six stops. LEE Filters 100x100mm Little Stopper 1.8 Neutral Density Filter The Little Stopper is a neutral density filter that reduces the light entering your lens by six stops. The Little Stopper is ideal for those low-light conditions at the beginning and end of the day (when the Big Stoppers ten stops may prove too much), allowing you to enjoy increased flexibility with exposure lengths. In many shooting conditions the Little Stopper will retain detail and texture in areas of movement such as the sky and water, while still conveying a sense of time passing. Before After- LEE LittleStopper and 0.6 ND Hard Grad

  • LEE Filters 100x100mm Super Stopper Neutral Density 4.5 Filter

    LEE Filters 100x100mm Super Stopper Neutral Density 4.5 Filter

    £89.00

    The Super Stopper is a neutral density filter that reduces the light entering your lens by 15 stops. LEE Filters 100x100mm Super Stopper Neutral Density 4.5 Filter The Super Stopper is a neutral density filter that reduces the light entering your lens by 15 stops. It gives the photographer an opportunity to shoot during the middle of the day, even in bright sunlight. Traditionally, such conditions were consideredunfavourable for photography, because of the harsh nature of the light. However, with the Super Stopper filter fitted, the softness that arises from any movement contrasts pleasingly with areas of bright light, creating an effect rarely seen in photography before now. Before After LEE Super Stopper

  • LEE Filters 100x150mm 0.3 Neutral Density Filter - Hard Grad

    LEE Filters 100x150mm 0.3 Neutral Density Filter – Hard Grad

    £89.00

    0.3 Neutral Density Hard Grade-Reduces exposure by1 stopwithout affecting colour balance. The LEE Filters range of Neutral Density (ND) Graduated Filters enable the photographer to selectively adjust exposure across the frame without affecting colour balance. LEE Filters 100x150mm 0.3 Neutral Density Filter – Hard Grad 0.3 Neutral Density Hard Grade -Reduces exposure by1 stopwithout affecting colour balance. The LEE Filters range of Neutral Density (ND) Graduated Filters enable the photographer to selectively adjust exposure across the frame without affecting colour balance. They are almost an essential in modern landscape photography on both digital and film cameras. They come in a range of strengths denoting the light stopping power of the filter and a range of gradations between the dark and clear areas of the filter. Together these enable light control and creative flexibility in a wide range of situations.

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